The Art of the Story-Teller by Marie L. Shedlock
page 79 of 264 (29%)
page 79 of 264 (29%)
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even in a grown-up audience when the wolf swallows the kids, and that
the recovery of them "all safe and sound, all huddled together" is quite as much appreciated by the adult audience as by the children, and is worth the tremor caused by the wolf's summary action. I have not always been able to impress upon the teachers the fact that this story _must_ be taken lightly. A very earnest young student came to me once after the telling of this story and said in an awe- struck voice: "Do you cor-relate?" Having recovered from the effect of this word, which she carefully explained, I said that, as a rule, I preferred to keep the story quite apart from the other lessons, just an undivided whole, because it had effects of its own which were best brought about by not being connected with other lessons. She frowned her disapproval and said: "I am sorry, because I thought I would take the Goat for my nature study lesson and then tell your story at the end." I thought of the terrible struggle in the child's mind between his conscientious wish to be accurate and his dramatic enjoyment of the abnormal habits of a goat who went out with scissors, needle and thread; but I have been most careful since to repudiate any connection with nature study in this and a few other stories in my repertoire. One might occasionally introduce one of Edward Lear's "Nonsense Rhymes." For instance: There was an Old Man of Cape Horn Who wished he had never been born. So he sat in a chair Till he died of despair, That dolorous Old Man of Cape Horn. |
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