The Art of the Story-Teller by Marie L. Shedlock
page 85 of 264 (32%)
page 85 of 264 (32%)
![]() | ![]() |
|
|
"How can a lion come roaring at you, you silly thing? There's no lions
only in the shows." "No, but if we were in the lion countries--I mean in Africa where it's very hot, the lions eat people there. I can show it you in the book where I read it." "Well, I should get a gun and shoot him." "But if you hadn't a gun?--we might have gone out, you know, not thinking, just as we go out fishing, and then a great lion might come towards us roaring, and we could not get away from him. What should you do, Tom?" Tom paused, and at last turned away contemptuously, saying: "But the lion _isn't_ coming. What's the use of talking?" This passage illustrates also the difference between the highly- developed imagination of the one and the stodgy prosaical temperament of the other. Tom could enter into the elementary question of giving his schoolfellow a black eye, but could not possibly enter into the drama of the imaginary arrival of a lion. He was sorely in need of fairy stories. It is to this element we have to cater, and we cannot shirk our responsibilities. William James says: "Living things, moving things or things that savor of danger or blood, |
|


