The Art of the Story-Teller by Marie L. Shedlock
page 91 of 264 (34%)
page 91 of 264 (34%)
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very keen scientist was deploring to me, on one occasion, the fact
that stories were told so much in the schools, to the detriment of science, for which he claimed the same indestructible element that I recognize in the best-told stories. Being very much interested in her point of view, I asked her to tell me, looking back on her school days, what she could remember as standing out from other less clear information. After thinking some little time over the matter, she said with some embarrassment, but with candor that did her much honor: "Well, now I come to think of it, it was the story of Cinderella." Now, I am not holding any brief for this story in particular. I think the reason it was remembered was because of the dramatic form in which it was presented to her, which fired her imagination and kept the memory alight. I quite realize that a scientific fact might also have been easily remembered if it had been presented in the form of a successful chemical experiment; but this also has something of the dramatic appeal and will be remembered on that account. Sully says: "We cannot understand the fascination of a story for children save in remembering that for their young minds, quick to imagine, and unversed in abstract reflection, words are not dead things but _winged_, as the old Greeks called them."[35] The _Red Queen_, in "Alice Through the Looking-Glass," was more psychological than she was aware of when she made the memorable statement: "When once you've _said_ a thing, that _fixes_ it, and you must take the consequences." In Curtin's "Introduction to Myths and Folk Tales of the Russians", |
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