He approached this with unusual delicacy: it needed bravery to look into
the mother's eyes, and tell the story. He did not know how dramatically
he told it--how he etched it without a waste word. When he came to that
scene in the Fort, the three men sitting, targets for his bullets,--he
softened the details greatly. He did not tell it as he told it at the
Court, but the simpler, sparser language made it tragically clear. There
was no sound from the bed, none from the foot-board, but he heard a door
open and shut without, and footsteps somewhere near.

How he put the body in the tree, and prayed over it and left it there,
was all told; and then he paused. He turned a little sick as he saw the
white face before him. She drew herself up, her fingers caught away the
night-dress at her throat; she stared hard at him for a moment, and then,
with a wild, moaning voice, cried out:

"You killed my boy! You killed my boy! You killed my boy!"

Gaston was about to take her hand, when he heard a shuffle and a rush
behind him. He rose, turned swiftly, saw a bottle swinging, threw up his
hand . . . and fell backwards against the bed.

The woman caught his bleeding head to her breast and hugged it.

"My Jock, my poor boy!" she cried in delirium now. Cawley had thrown
his arms about the struggling, drunken assailant--Jock's poaching friend.

The mother now called out to the pinioned man, as she had done to Gaston:

"You have killed my boy!" She kissed Gaston's bloody face.