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Via Crucis by F. Marion (Francis Marion) Crawford
page 98 of 366 (26%)
down stone walls with their bare hands at his merest words, as they
would have faced the barons' steel with naked breast. At such times men
left their tasks--the shoemaker his last, the smith his anvil, the
crooked tailor his bench--to follow the northern monk to the Capitol,
or to some church where he was to speak to them; and after the men came
the women, and after the women the children, all drawn along by the
mysterious attraction which they could neither understand nor resist.
The tramping of many feet made a dull bass to the sound of many human
voices, high and low, crying out lustily for 'Arnold, a Senate, and the
Roman Republic'; and then taking up the song of the day, which was a
ballad of liberty, in a long minor chant that broke into a jubilant
major in the burden--the sort of song the Romans have always made in
time of change, the kind of ballad that goes before the end of a
kingdom, like a warning voice of fate.

On such days, when the mob went howling and singing after its idol,
southwards to the Capitol or even to the far Lateran where Marcus
Aurelius sat upon his bronze horse watching the ages go by, then
Gilbert loved to wander in the opposite direction, across the castle
bridge and under the haunted battlements of Sant' Angelo, where evil
Theodora's ghost walked on autumn nights when the south wind blew, and
through the long wreck of the fair portico that had once extended from
the bridge to the basilica, till he came to the broad flight of steps
leading to the walled garden-court of old Saint Peter's. There he loved
to sit musing among the cypresses, wondering at the vast bronze pine-
cone and the great brass peacocks which Symmachus had brought thither
from the ruins of Agrippa's baths, wherein the terrible Crescenzi had
fortified themselves during more than a hundred years. Sitting there
alone, while Dunstan puzzled his uncertain learning over deep-cut
inscriptions of long ago, and Alric, the groom, threw his dagger at a
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