The Altar of the Dead by Henry James
page 44 of 49 (89%)
page 44 of 49 (89%)
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remembrance.
By this time he had survived all his friends; the last straight flame was three years old, there was no one to add to the list. Over and over he called his roll, and it appeared to him compact and complete. Where should he put in another, where, if there were no other objection, would it stand in its place in the rank? He reflected, with a want of sincerity of which he was quite conscious, that it would be difficult to determine that place. More and more, besides, face to face with his little legion, over endless histories, handling the empty shells and playing with the silence--more and more he could see that he had never introduced an alien. He had had his great companions, his indulgences--there were cases in which they had been immense; but what had his devotion after all been if it hadn't been at bottom a respect? He was, however, himself surprised at his stiffness; by the end of the winter the responsibility of it was what was uppermost in his thoughts. The refrain had grown old to them, that plea for just one more. There came a day when, for simple exhaustion, if symmetry should demand just one he was ready so far to meet symmetry. Symmetry was harmony, and the idea of harmony began to haunt him; he said to himself that harmony was of course everything. He took, in fancy, his composition to pieces, redistributing it into other lines, making other juxtapositions and contrasts. He shifted this and that candle, he made the spaces different, he effaced the disfigurement of a possible gap. There were subtle and complex relations, a scheme of cross-reference, and moments in which he seemed to catch a glimpse of the void so sensible to the woman who wandered in exile or sat where he had seen her with the portrait of Acton Hague. Finally, in this way, |
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