The Figure in the Carpet by Henry James
page 23 of 53 (43%)
page 23 of 53 (43%)
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introducing me. I remember our going together one Sunday in August
to a huddled house in Chelsea, and my renewed envy of Corvick's possession of a friend who had some light to mingle with his own. He could say things to her that I could never say to him. She had indeed no sense of humour and, with her pretty way of holding her head on one side, was one of those persons whom you want, as the phrase is, to shake, but who have learnt Hungarian by themselves. She conversed perhaps in Hungarian with Corvick; she had remarkably little English for his friend. Corvick afterwards told me that I had chilled her by my apparent indisposition to oblige them with the detail of what Vereker had said to me. I allowed that I felt I had given thought enough to that indication: hadn't I even made up my mind that it was vain and would lead nowhere? The importance they attached to it was irritating and quite envenomed my doubts. That statement looks unamiable, and what probably happened was that I felt humiliated at seeing other persons deeply beguiled by an experiment that had brought me only chagrin. I was out in the cold while, by the evening fire, under the lamp, they followed the chase for which I myself had sounded the horn. They did as I had done, only more deliberately and sociably--they went over their author from the beginning. There was no hurry, Corvick said the future was before them and the fascination could only grow; they would take him page by page, as they would take one of the classics, inhale him in slow draughts and let him sink all the way in. They would scarce have got so wound up, I think, if they hadn't been in love: poor Vereker's inner meaning gave them endless occasion to put and to keep their young heads together. None the less it represented the kind of problem for which Corvick had a special aptitude, drew out the particular pointed patience of which, had he |
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