many examples of this pattern: the casual fact, the creative
imagination, the will to believe, and out of these three elements, a
counterfeit of reality to which there was a violent instinctive
response. For it is clear enough that under certain conditions men
respond as powerfully to fictions as they do to realities, and that in
many cases they help to create the very fictions to which they
respond. Let him cast the first stone who did not believe in the
Russian army that passed through England in August, 1914, did not
accept any tale of atrocities without direct proof, and never saw a
plot, a traitor, or a spy where there was none. Let him cast a stone
who never passed on as the real inside truth what he had heard someone
say who knew no more than he did.

In all these instances we must note particularly one common factor. It
is the insertion between man and his environment of a pseudo-environment.
To that pseudo-environment his behavior is a response. But because it
_is_ behavior, the consequences, if they are acts, operate not in
the pseudo-environment where the behavior is stimulated, but in the
real environment where action eventuates. If the behavior is not a
practical act, but what we call roughly thought and emotion, it may
be a long time before there is any noticeable break in the texture of
the fictitious world. But when the stimulus of the pseudo-fact results
in action on things or other people, contradiction soon develops.
Then comes the sensation of butting one's head against a stone wall,
of learning by experience, and witnessing Herbert Spencer's tragedy
of the murder of a Beautiful Theory by a Gang of Brutal Facts, the
discomfort in short of a maladjustment. For certainly, at the level of
social life, what is called the adjustment of man to his environment
takes place through the medium of fictions.