attributed to him in the other collection, so if Macpherson's
Ossianic poems, which he said were collected by him in the
Highlands, are forgeries, Smith's Ossianic poems, which, according
to his account, were also collected in the Highlands, must be also
forged, and have been imitated from those published by the other.
Now as it is well known that Smith did not possess sufficient
poetic power to produce any imitation of Macpherson's Ossian, with
a tenth part the merit which the "Sean Dana" possess, and that even
if he had possessed it, his principles would not have allowed him
to attempt to deceive the world by imposing forgeries upon it, as
the authentic poems of another, he being a highly respectable
clergyman, the necessary conclusion is that the Ossianic poems
which both published are genuine, and collected in the manner in
which both stated they were."

After a little more discourse about Ossian, the old gentleman asked
me if there was any good modern Gaelic poetry. "None very modern,"
said I: "the last great poets of the Gael were Macintyre and
Buchanan, who flourished about the middle of the last century. The
first sang of love and of Highland scenery; the latter was a
religious poet. The best piece of Macintyre is an ode to Ben
Dourain, or the Hill of the Water-dogs - a mountain in the
Highlands. The master-piece of Buchanan is his La Breitheanas or
Day of Judgment, which is equal in merit, or nearly so, to the
Cywydd y Farn, or Judgment Day of your own immortal Gronwy Owen.
Singular that the two best pieces on the Day of Judgment should
have been written in two Celtic dialects, and much about the same
time; but such is the fact."

"Really," said the old church clerk, "you seem to know something of