confession the culprit had never heard of."

"I am afraid," said I, "if I might presume to give my opinion, it would
be a tale of unvaried sorrow and guilt."

"Not entirely, my friend," said Hardie; "a prison is a world within
itself, and has its own business, griefs, and joys, peculiar to its
circle. Its inmates are sometimes short-lived, but so are soldiers on
service; they are poor relatively to the world without, but there are
degrees of wealth and poverty among them, and so some are relatively rich
also. They cannot stir abroad, but neither can the garrison of a besieged
fort, or the crew of a ship at sea; and they are not under a dispensation
quite so desperate as either, for they may have as much food as they have
money to buy, and are not obliged to work, whether they have food or
not."

"But what variety of incident," said I (not without a secret view to my
present task), "could possibly be derived from such a work as you are
pleased to talk of?"

"Infinite," replied the young advocate. "Whatever of guilt, crime,
imposture, folly, unheard-of misfortunes, and unlooked-for change of
fortune, can be found to chequer life, my Last Speech of the Tolbooth
should illustrate with examples sufficient to gorge even the public's
all-devouring appetite for the wonderful and horrible. The inventor of
fictitious narratives has to rack his brains for means to diversify his
tale, and after all can hardly hit upon characters or incidents which
have not been used again and again, until they are familiar to the eye of
the reader, so that the development, _enle'vement,_ the desperate wound
of which the hero never dies, the burning fever from which the heroine is