ago;" yet we find his life and actions quite similar to those of
the heroes in "the first times," while his foster mother--the alan
[71]--takes the same part as did the alan of old.

Relations 63 to 74 appear as pure explanatory tales, accounting
for the existence and appearance of celestial bodies and animals in
their present state; they also account for the possession of fire and
of many prized objects, such as jars and agate beads. Incidentally
many essential traits and old customs come out, such, for instance,
as those of war and mourning, which appear in connection with the
origin of the kalau. [72]

With few exceptions the myths of this division correspond to present
beliefs; the spirits are those known to-day; the towns mentioned are
now existing or their former locations are well known. They have thus
the appearance of being of more recent origin than those of the first
division, yet it is worthy of note that there is little in them which
seems foreign to or out of keeping with the older tales.


FABLES

The last division may be said to be made up of fables, for the story
tellers without hesitation label them as fictions. The last of these
appears to be only a worked over incident of myth 56, in which the
big bird Banog carries the hero to its nest, from which he escapes
by holding to the wings of the young birds. It is possible that more
of these fables are likewise incidents in tales prevalent among the
Tinguian, but not heard by the writer. Whether or no this be true, it
is certain that most of these stories are well known to the Ilocano