The Angel Adjutant of "Twice Born Men" by Minnie Lindsay Rowell Carpenter
page 55 of 200 (27%)
page 55 of 200 (27%)
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converted, many from lives of desperate sin. Others have grown up in The
Army; almost all have learned what they know of music in the ranks. Twenty years ago, the latter remark might have been received with a smile. Not so to-day, for while the object of Salvation Army music is the same as when it was first admitted as an auxiliary in our efforts to attract the unsaved, it has passed from the crudeness of its beginnings to a high standard of excellence. The bands of The Salvation Army now rank amongst the best in the world, and are an appreciated institution in most towns and villages. The bandsmen, who find their own uniforms and receive neither fee nor reward for their services, devote much of their leisure to Salvation Army service. They carry the message of salvation by music and song into city streets and slums, into the lanes of the country; to hospitals and asylums, and, besides, lead the singing in The Army citadels. As might be expected amongst a body of clean-living, energetic men, there are occasions when matters of contention arise which require careful handling. More than once Kate Lee 'scented' trouble in her bands and resorted to a night of prayer, as a preparation for dealing with the problem. She would come from her little sanctuary, clothed with such meekness, tact, and strength that never once did she fail to stem the difficulty and to hold the men to the highest ideals of Salvationism. If a whole band were affected, she saw the men one by one before she met them together. At one corps where the inclination to worldly amusement threatened serious loss, the Adjutant held a meeting which lasted until midnight. Lovingly, faithfully, firmly, she reminded the men of the high purposes of The Salvation Army, the condition of the world in relation to God, the spiritual danger of mixing with the ungodly in their amusement. Quietly, the men viewed the matter in the light of eternity and made |
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