A History of English Literature by Robert Huntington Fletcher
page 256 of 438 (58%)
page 256 of 438 (58%)
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in France he had no adequate understanding. He failed to realize that the
French people were asserting their most elementary rights against an oppression a hundred times more intolerable than anything that the Americans had suffered; his imagination had long before been dazzled during a brief stay in Paris by the external glitter of the French Court; his own chivalrous sympathy was stirred by the sufferings of the queen; and most of all he saw in the Revolution the overthrow of what he held to be the only safe foundations of society--established government, law, social distinctions, and religion--by the untried abstract theories which he had always held in abhorrence. Moreover, the activity of the English supporters of the French revolutionists seriously threatened an outbreak of anarchy in England also. Burke, therefore, very soon began to oppose the whole movement with all his might. His 'Reflections on the Revolution in France,' published in 1790, though very one-sided, is a most powerful model of reasoned denunciation and brilliant eloquence; it had a wide influence and restored Burke to harmony with the great majority of his countrymen. His remaining years, however, were increasingly gloomy. His attitude caused a hopeless break with the liberal Whigs, including Fox; he gave up his seat in Parliament to his only son, whose death soon followed to prostrate him; and the successes of the French plunged him into feverish anxiety. After again pouring out a flood of passionate eloquence in four letters entitled 'Thoughts on the Prospect of a Regicide Peace' (with France) he died in 1797. We have already indicated many of the sources of Burke's power as a speaker and writer, but others remain to be mentioned. Not least important are his faculties of logical arrangement and lucid statement. He was the first Englishman to exemplify with supreme skill all the technical devices of exposition and argument--a very careful ordering of ideas according to a plan made clear, but not too conspicuous, to the hearer or reader; the use |
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