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A History of English Literature by Robert Huntington Fletcher
page 264 of 438 (60%)
keeping a millinery shop, was born in 1716. At Eton he became intimate with
Horace Walpole, the son of the Prime Minister, who was destined to become
an amateur leader in the Romantic Movement, and after some years at
Cambridge the two traveled together on the Continent. Lacking the money for
the large expenditure required in the study of law, Gray took up his
residence in the college buildings at Cambridge, where he lived as a
recluse, much annoyed by the noisy undergraduates. During his last three
years he held the appointment and salary of professor of modern history,
but his timidity prevented him from delivering any lectures. He died in
1771. He was primarily a scholar and perhaps the most learned man of his
time. He was familiar with the literature and history not only of the
ancient world but of all the important modern nations of western Europe,
with philosophy, the sciences of painting, architecture, botany, zoology,
gardening, entomology (he had a large collection of insects), and even
heraldry. He was himself an excellent musician. Indeed almost the only
subject of contemporary knowledge in which he was not proficient was
mathematics, for which he had an aversion, and which prevented him from
taking a college degree.

The bulk of Gray's poetry is very small, no larger, in fact, than that of
Collins. Matthew Arnold argued in a famous essay that his productivity was
checked by the uncongenial pseudo-classic spirit of the age, which, says
Arnold, was like a chill north wind benumbing his inspiration, so that 'he
never spoke out.' The main reason, however, is really to be found in Gray's
own over-painstaking and diffident disposition. In him, as in Hamlet,
anxious and scrupulous striving for perfection went far to paralyze the
power of creation; he was unwilling to write except at his best, or to
publish until he had subjected his work to repeated revisions, which
sometimes, as in the case of his 'Elegy Written in a Country Churchyard,'
extended over many years. He is the extreme type of the academic poet. His
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