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A History of English Literature by Robert Huntington Fletcher
page 270 of 438 (61%)
third Christian century. These productions won him substantial material
rewards in the shape of high political offices throughout the rest of his
long life. About the genuineness of the compositions, however, a violent
controversy at once arose, and Dr. Johnson was one of the skeptics who
vigorously denounced Macpherson as a shameless impostor. The general
conviction of scholars of the present day is that while Macpherson may have
found some fragments of very ancient Gaelic verse in circulation among the
Highlanders, he fabricated most of what he published. These works, however,
'Fingal' and the rest, certainly contributed to the Romantic Movement; and
they are not only unique productions, but, in small quantities, still
interesting. They can best be described as reflections of the misty scenes
of Macpherson's native Highlands--vague impressionistic glimpses,
succeeding one another in purposeless repetition, of bands of marching
warriors whose weapons intermittently flash and clang through the fog, and
of heroic women, white-armed and with flowing hair, exhorting the heroes to
the combat or lamenting their fall.

A very minor figure, but one of the most pathetic in the history of English
literature, is that of Thomas Chatterton. While he was a boy in Bristol,
Chatterton's imagination was possessed by the medieval buildings of the
city, and when some old documents fell into his hands he formed the idea of
composing similar works in both verse and prose and passing them off as
medieval productions which he had discovered. To his imaginary author he
gave the name of Thomas Rowley. Entirely successful in deceiving his
fellow-townsmen, and filled with a great ambition, Chatterton went to
London, where, failing to secure patronage, he committed suicide as the
only resource against the begging to which his proud spirit could not
submit. This was in 1770, and he was still only eighteen years old.
Chatterton's work must be viewed under several aspects. His imitation of
the medieval language was necessarily very imperfect and could mislead no
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