A History of English Literature  by Robert Huntington Fletcher
page 276 of 438 (63%)
page 276 of 438 (63%)
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			only material outcome of his period of public favor was an appointment as internal revenue collector, an unpopular and uncongenial office which he accepted with reluctance and exercised with leniency. It required him to occupy much of his time in riding about the country, and contributed to his final failure as a farmer. After the latter event he removed to the neighboring market-town of Dumfries, where he again renewed his companionship with unworthy associates. At last prospects for promotion in the revenue service began to open to him, but it was too late; his naturally robust constitution had given way to over-work and dissipation, and he died in 1796 at the age of thirty-seven. Burns' place among poets is perfectly clear. It is chiefly that of a song-writer, perhaps the greatest songwriter of the world. At work in the fields or in his garret or kitchen after the long day's work was done, he composed songs because he could not help it, because his emotion was irresistibly stirred by the beauty and life of the birds and flowers, the snatch of a melody which kept running through his mind, or the memory of the girl with whom he had last talked. And his feelings expressed themselves with spontaneous simplicity, genuineness, and ease. He is a thoroughly romantic poet, though wholly by the grace of nature, not at all from any conscious intention--he wrote as the inspiration moved him, not in accordance with any theory of art. The range of his subjects and emotions is nearly or quite complete--love; comradeship; married affection, as in 'John Anderson, My Jo'; reflective sentiment; feeling for nature; sympathy with animals; vigorous patriotism, as in 'Scots Wha Hae' (and Burns did much to revive the feeling of Scots for Scotland); deep tragedy and pathos; instinctive happiness; delightful humor; and the others. It should be clearly recognized, however, that this achievement, supreme as it is in its own way, does not suffice to place Burns among the greatest poets. The brief lyrical outbreaks of the song-writer are no more to be compared with |  | 


 
