A History of English Literature by Robert Huntington Fletcher
page 296 of 438 (67%)
page 296 of 438 (67%)
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generosity of friends; later, in part, by public pensions. It was
apparently about 1800, to alleviate mental distress and great physical suffering from neuralgia, that he began the excessive use of opium (laudanum) which for many years had a large share in paralyzing his will. For a year, in 1804-5, he displayed decided diplomatic talent as secretary to the Governor of Malta. At several different times, also, he gave courses, of lectures on Shakspere and Milton; as a speaker he was always eloquent; and the fragmentary notes of the lectures which have been preserved rank very high in Shaksperean criticism. His main interest, however, was now in philosophy; perhaps no Englishman has ever had a more profoundly philosophical mind; and through scattered writings and through his stimulating though prolix talks to friends and disciples he performed a very great service to English thought by introducing the viewpoint and ideas of the German transcendentalists, such as Kant, Schelling, and Fichte. During his last eighteen years he lived mostly in sad acceptance of defeat, though still much honored, in the house of a London physician. He died in 1834. As a poet Coleridge's first great distinction is that which we have already pointed out, namely that he gives wonderfully subtile and appealing expression to the Romantic sense for the strange and the supernatural, and indeed for all that the word 'Romance' connotes at the present day. He accomplishes this result partly through his power of suggesting the real unity of the inner and outer worlds, partly through his skill, resting in a large degree on vivid impressionistic description, in making strange scenes appear actual, in securing from the reader what he himself called 'that willing suspension of disbelief which constitutes poetic faith.' Almost every one has felt the weird charm of 'The Ancient Mariner,' where all the unearthly story centers about a moral and religious idea, and where we are dazzled by a constant succession of such pictures as these: |
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