principles that Browning based his spirited lyric 'The Lost Leader.'

During the first half or more of his mature life, until long after he had
ceased to be a significant creative force, Wordsworth's poetry, for reasons
which will shortly appear, had been met chiefly with ridicule or
indifference, and he had been obliged to wait in patience while the
slighter work first of Scott and then of Byron took the public by storm.
Little by little, however, he came to his own, and by about 1830 he enjoyed
with discerning readers that enthusiastic appreciation of which he is
certain for all the future. The crowning mark of recognition came in 1843
when on the death of his friend Southey he was made Poet Laureate. The
honor, however, had been so long delayed that it was largely barren. Ten
years earlier his life had been darkened by the mental decay of his sister
and the death of Coleridge; and other personal sorrows now came upon him.
He died in 1850 at the age of eighty.

Wordsworth, as we have said, is the chief representative of some
(especially one) of the most important principles in the Romantic Movement;
but he is far more than a member of any movement; through his supreme
poetic expression of some of the greatest spiritual ideals he belongs among
the five or six greatest English poets. First, he is the profoundest
interpreter of Nature in all poetry. His feeling for Nature has two
aspects. He is keenly sensitive, and in a more delicately discriminating
way than any of his predecessors, to all the external beauty and glory of
Nature, especially inanimate Nature--of mountains, woods and fields,
streams and flowers, in all their infinitely varied aspects. A wonderfully
joyous and intimate sympathy with them is one of his controlling impulses.
But his feeling goes beyond the mere physical and emotional delight of
Chaucer and the Elizabethans; for him Nature is a direct manifestation of
the Divine Power, which seems to him to be everywhere immanent in her; and