for some time after the dance had ceased. The marchioness observed the
general admiration with seeming pleasure, and secret uneasiness. She
had suffered a very painful solicitude, when the Count de Vereza
selected her for his partner in the dance, and she pursued him through
the evening with an eye of jealous scrutiny. Her bosom, which before
glowed only with love, was now torn by the agitation of other passions
more violent and destructive. Her thoughts were restless, her mind
wandered from the scene before her, and it required all her address to
preserve an apparent ease. She saw, or fancied she saw, an impassioned
air in the count, when he addressed himself to Julia, that corroded
her heart with jealous fury.

At twelve the gates of the castle were thrown open, and the company
quitted it for the woods, which were splendidly illuminated. Arcades
of light lined the long vistas, which were terminated by pyramids of
lamps that presented to the eye one bright column of flame. At
irregular distances buildings were erected, hung with variegated
lamps, disposed in the gayest and most fantastic forms. Collations
were spread under the trees; and music, touched by unseen hands,
breathed around. The musicians were placed in the most obscure and
embowered spots, so as to elude the eye and strike the imagination.
The scene appeared enchanting. Nothing met the eye but beauty and
romantic splendour; the ear received no sounds but those of mirth and
melody. The younger part of the company formed themselves into
groups, which at intervals glanced through the woods, and were again
unseen. Julia seemed the magic queen of the place. Her heart dilated
with pleasure, and diffused over her features an expression of pure
and complacent delight. A generous, frank, and exalted sentiment
sparkled in her eyes, and animated her manner. Her bosom glowed with
benevolent affections; and she seemed anxious to impart to all around