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The Renascence of Hebrew Literature (1743-1885) by Nahum Slouschz
page 108 of 209 (51%)
plot is puerile, and the succession of events tiresome. But these
shortcomings were not noticed by his simple, uncultivated readers, for
the reason that they shared the artless _naivete_ of the author.

Besides these two, we have some poetic fragments of a third historical
romance by Mapu, which was destroyed by the Russian censor. There is
also an excellent manual of the Hebrew language, _Amon Padgug_
("The Master Pedagogue"), very much valued by teachers of Hebrew, and,
finally, a method of the French language In Hebrew.

We shall revert elsewhere to his last novel, '_Ayit Zabua_' ("The
Hypocrite"), which is very different in style and character from his
first two romances.

In his last years he was afflicted with a severe disease. Unable to
work, he was supported by his brother, who had settled in Paris, and who
invited Mapu to join him there. On the way, death overtook him, and he
never saw the capital of the country for which he had expressed the
greatest admiration all his life.

In southern Russia, especially at Odessa, literary activity continued to
be carried on with success. Abraham Bar Gottlober (1811-1900), writing
under the pseudonym Mahalalel, was the most productive of the poets, if
not the best endowed of the whole school.

A disciple of Isaac Bar Levinsohn, and visibly affected by the influence
of Wessely and Abraham Bar Lebensohn, he devoted himself to poetry. The
first volume of his poems appeared at Wilna in 1851. Toward the end of
his days, he published his complete works in three volumes, _Kol Shire
Mahalalel_ ("Collected Poems", Warsaw, 1890). His earliest
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