Memoirs of My Dead Life by George (George Augustus) Moore
page 40 of 311 (12%)
page 40 of 311 (12%)
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sparrows--restless black dots that haunt the old tree at the corner of
King's Bench Walk--I begin to distinguish a faint green haze in the branches of the old lime. Yes, there it is green in the branches; and I'm moved by an impulse--the impulse of Spring is in my feet; india-rubber seems to have come into the soles of my feet, and I would see London. It is delightful to walk across Temple Gardens, to stop--pigeons are sweeping down from the roofs--to call a hansom, and to notice, as one passes, the sapling behind St. Clement's Danes. The quality of the green is exquisite on the smoke-black wall. London can be seen better on Sundays than on week-days; lying back in a hansom, one is alone with London. London is beautiful in that narrow street, celebrated for licentious literature. The blue and white sky shows above a seventeenth-century gable, and a few moments after we are in Drury Lane. The fine weather has enticed the population out of grim courts and alleys; skipping-ropes are whirling everywhere. The children hardly escape being run over. Coster girls sit wrapped in shawls, contentedly, like rabbits at the edge of a burrow; the men smoke their pipes in sullen groups, their eyes on the closed doors of the public house. At the corner of the great theatre a vendor of cheap ices is rapidly absorbing the few spare pennies of the neighbourhood. The hansom turns out of the lane into the great thoroughfare, a bright glow like the sunset fills the roadway, and upon it a triangular block of masonry and St. Giles's church rise, the spire aloft in the faint blue and delicate air. Spires are so beautiful that we would fain believe that they will outlast creeds; religion or no religion we must have spires, and in town and country--spires showing between trees and rising out of the city purlieus. The spring tide is rising; the almond trees are in bloom, that one growing in an area spreads its Japanese decoration fan-like upon the |
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