The Canadian Elocutionist by Anna Kelsey Howard
page 25 of 532 (04%)
page 25 of 532 (04%)
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advance of the other; the arms akimbo; the fingers pressing on the
abdominal muscles, in front, and the thumbs on the dorsal muscles, on each side of the spine; the chest freely expanded and fully projected; the shoulders held backward and downward; the head perfectly vertical. 2. Having thus complied with the preliminary conditions of a free and unembarrassed action of the organs, draw in and give out the breath very fully and very slowly, about a dozen times in succession. 3. Draw in a very full breath, and send it forth in a prolonged sound of the letter _h_. In the act of inspiration, take in as much breath as you can contain. In that of expiration, retain all you can, and give out as little as possible, merely sufficient to keep the sound of _h_ audible. 4. Draw in a very full breath, as before, and emit it with a lively, expulsive force, in the sound of _h_, but little prolonged in the style of a moderate, whispered cough. 5. Draw in the breath, as already directed, and emit it with a sudden and violent explosion, in a very brief sound of the letter _h_, in the style of an abrupt and forcible, but whispered cough. The breath is, in this mode of expiration, thrown out with abrupt _violence_. 6. Inflate the lungs to their utmost capacity and exhale the breath very slowly, counting rapidly up to ten, as many times as possible with one breath. Each of the above exercises should be repeated often, by the student, in his room, or while walking; and may be given with the gymnastic exercises |
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