to myself all day long. I wrote nightly on my return from work. I am
astonished, on looking back, at the variety and quantity of my productions
during that short time. My subjects were intentionally and professedly
cockney ones. I had taken Mackaye at his word. I had made up my mind, that
if I had any poetic powers I must do my duty therewith in that station of
life to which it had pleased God to call me, and look at everything simply
and faithfully as a London artizan. To this, I suppose, is to be attributed
the little geniality and originality for which the public have kindly
praised my verses--a geniality which sprung, not from the atmosphere whence
I drew, but from the honesty and single-mindedness with which, I hope, I
laboured. Not from the atmosphere, indeed,--that was ungenial enough; crime
and poverty, all-devouring competition, and hopeless struggles against
Mammon and Moloch, amid the roar of wheels, the ceaseless stream of pale,
hard faces, intent on gain, or brooding over woe; amid endless prison walls
of brick, beneath a lurid, crushing sky of smoke and mist. It was a dark,
noisy, thunderous element that London life; a troubled sea that cannot
rest, casting up mire and dirt; resonant of the clanking of chains, the
grinding of remorseless machinery, the wail of lost spirits from the pit.
And it did its work upon me; it gave a gloomy colouring, a glare as of some
Dantean "Inferno," to all my utterances. It did not excite me or make me
fierce--I was too much inured to it--but it crushed and saddened me; it
deepened in me that peculiar melancholy of intellectual youth, which
Mr. Carlyle has christened for ever by one of his immortal
nicknames--"Werterism"; I battened on my own melancholy. I believed, I
loved to believe, that every face I passed bore the traces of discontent as
deep as was my own--and was I so far wrong? Was I so far wrong either in
the gloomy tone of my own poetry? Should not a London poet's work just now
be to cry, like the Jew of old, about the walls of Jerusalem, "Woe, woe
to this city!" Is this a time to listen to the voices of singing men and
singing women? or to cry, "Oh! that my head were a fountain of tears, that