required, were such as to prevent any attempt at grand architectural
effect. The general arrangement of the interior is easily understood, even
without the aid of a ground-plan. The chief entrance leads into a nave,
which has on each side an aisle of less height, separated from it by a
wall. The wall is broken by two openings, through which is the passage from
nave to aisle, or aisle to nave. The nave and aisles end in a transept,
and behind the transept are two small saloons, and a large hall or aisle
crossing the building transversely and forming its western end. A gallery
runs round the transept, and another crosses the nave at its eastern end.
This is the general arrangement. The walls of the nave or central hall are
occupied by the gallery of British portraits, and between the iron columns
that support the roof are set pieces of sculpture, and the cases containing
the precious collection of Ornamental Art, (works of the minor arts, as
they might be called,) which has been brought together from private and
public sources, and is quite unrivalled in its completeness. The southern
aisle contains the main collection of pictures by ancient, foreign masters;
while the opposite aisle is filled with the works of the British school.
The transept, being chiefly given up to arrangements for an orchestra,
contains below little but a collection of busts, but its galleries are
occupied with the collection of miniatures, a most admirable and extensive
historical series of engravings, a large number of photographs, and a very
precious collection of original drawings by the old masters. The saloon
at the north end of the transept is filled with East Indian and Chinese
tapestries, furniture, and works of ornamental design; while the opposite
saloon continues the collection of paintings of ancient masters, being
chiefly occupied with works from the gallery of the Marquis of Hertford,
which he sent to the Exhibition on condition that they should be kept
together. The hall that crosses the building at the western end is filled
with a collection of water-color drawings.--Such, in brief, is an outline
of the distribution of the treasures contained in this great palace of Art.