follows. Generally of truth, common-sense, simplicity, vitality,--and
of all these, with consummate power. A man to be enquired about, is not
he? and will it not make a difference to you whether you look, when you
travel in Italy, in his rough early marbles for this fountain of life,
or only glance at them because your Murray's Guide tells you,--and
think them "odd old things"?

19. We must look for a moment more at one odd old thing--the
sarcophagus which was his tutor. Upon it is carved the hunting of
Meleager; and it was made, or by tradition received as, the tomb of the
mother of the Countess Matilda. I must not let you pass by it without
noticing two curious coincidences in these particulars. First, in the
Greek subject which is given Niccola to read.

The boar, remember, is Diana's enemy. It is sent upon the fields of
Calydon in punishment of the refusal of the Calydonians to sacrifice to
her. 'You have refused _me_,' she said; 'you will not have Artemis
Laphria, Forager Diana, to range in your fields. You shall have the
Forager Swine, instead.'

Meleager and Atalanta are Diana's servants,--servants of all order,
purity, due sequence of season, and time. The orbed architecture of
Tuscany, with its sculptures of the succession of the labouring months,
as compared with the rude vaults and monstrous imaginations of the
past, was again the victory of Meleager.

20. Secondly, take what value there is in the tradition that this
sarcophagus was made the tomb of the mother of the

[Illustration: PLATE I:--THE PISAN LATONA. Angle of Panel of the