the chorus.

With the love of music is naturally connected a taste for poetry; and,
fortunately for the poets of Africa, they are in a great measure exempted
from that neglect and indigence, which, in more polished countries,
commonly attend the votaries of the Muses. They consist of two classes;
the most numerous are the _singing men_, called _Jilli kea_, mentioned in
a former part of my narrative. One or more of these may be found in every
town. They sing extempore songs, in honour of their chief men, or any
other persons who are willing to give "solid pudding for empty praise."
But a nobler part of their office is to recite the historical events of
their country; hence, in war they accompany the soldiers to the field, in
order, by reciting the great actions of their ancestors, to awaken in
them a spirit of glorious emulation. The other class are devotees of the
Mahomedan faith, who travel about the country, singing devout hymns, and
performing religious ceremonies, to conciliate the favour of the
Almighty; either in averting calamity, or insuring success to any
enterprise. Both descriptions of these itinerant bards are much employed
and respected by the people, and very liberal contributions are made for
them.

The usual diet of the Negroes is somewhat different in different
districts. In general, the people of free condition breakfast about
daybreak, upon gruel made of meal and water, with a little of the fruit
of the tamarind, to give it an acid taste. About two o'clock in the
afternoon, a sort of hasty pudding, with a little shea-butter, is the
common meal; but the supper constitutes the principal repast, and is
seldom ready before midnight. This consists almost universally of
kouskous, with a small portion of animal food, or shea-butter, mixed with
it. In eating, the Kafirs as well as Mahomedans use the right hand only.