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Master of Ballantrae by Robert Louis Stevenson
page 112 of 305 (36%)


He sang it well, even as a song; but he did better yet a performer.
I have heard famous actors, when there was not a dry eye in the
Edinburgh theatre; a great wonder to behold; but no more wonderful
than how the Master played upon that little ballad, and on those
who heard him, like an instrument, and seemed now upon the point of
failing, and now to conquer his distress, so that words and music
seemed to pour out of his own heart and his own past, and to be
aimed directly at Mrs. Henry. And his art went further yet; for
all was so delicately touched, it seemed impossible to suspect him
of the least design; and so far from making a parade of emotion,
you would have sworn he was striving to be calm. When it came to
an end, we all sat silent for a time; he had chosen the dusk of the
afternoon, so that none could see his neighbour's face; but it
seemed as if we held our breathing; only my old lord cleared his
throat. The first to move was the singer, who got to his feet
suddenly and softly, and went and walked softly to and fro in the
low end of the hall, Mr. Henry's customary place. We were to
suppose that he there struggled down the last of his emotion; for
he presently returned and launched into a disquisition on the
nature of the Irish (always so much miscalled, and whom he
defended) in his natural voice; so that, before the lights were
brought, we were in the usual course of talk. But even then,
methought Mrs. Henry's face was a shade pale; and, for another
thing, she withdrew almost at once.

The next sign was a friendship this insidious devil struck up with
innocent Miss Katharine; so that they were always together, hand in
hand, or she climbing on his knee, like a pair of children. Like
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