Master of Ballantrae by Robert Louis Stevenson
page 112 of 305 (36%)
page 112 of 305 (36%)
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He sang it well, even as a song; but he did better yet a performer. I have heard famous actors, when there was not a dry eye in the Edinburgh theatre; a great wonder to behold; but no more wonderful than how the Master played upon that little ballad, and on those who heard him, like an instrument, and seemed now upon the point of failing, and now to conquer his distress, so that words and music seemed to pour out of his own heart and his own past, and to be aimed directly at Mrs. Henry. And his art went further yet; for all was so delicately touched, it seemed impossible to suspect him of the least design; and so far from making a parade of emotion, you would have sworn he was striving to be calm. When it came to an end, we all sat silent for a time; he had chosen the dusk of the afternoon, so that none could see his neighbour's face; but it seemed as if we held our breathing; only my old lord cleared his throat. The first to move was the singer, who got to his feet suddenly and softly, and went and walked softly to and fro in the low end of the hall, Mr. Henry's customary place. We were to suppose that he there struggled down the last of his emotion; for he presently returned and launched into a disquisition on the nature of the Irish (always so much miscalled, and whom he defended) in his natural voice; so that, before the lights were brought, we were in the usual course of talk. But even then, methought Mrs. Henry's face was a shade pale; and, for another thing, she withdrew almost at once. The next sign was a friendship this insidious devil struck up with innocent Miss Katharine; so that they were always together, hand in hand, or she climbing on his knee, like a pair of children. Like |
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