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The Last Galley Impressions and Tales - Impressions and Tales by Sir Arthur Conan Doyle
page 5 of 263 (01%)
the double banks of seats, above and below, where the rowers, two to an
oar, tug and bend at their endless task. Down the centre is a narrow
platform, along which pace a line of warders, lash in hand, who cut
cruelly at the slave who pauses, be it only for an instant, to sweep the
sweat from his dripping brow. But these slaves--look at them! Some are
captured Romans, some Sicilians, many black Libyans, but all are in the
last exhaustion, their weary eyelids drooped over their eyes, their lips
thick with black crusts, and pink with bloody froth, their arms and
backs moving mechanically to the hoarse chant of the overseer. Their
bodies of all tints from ivory to jet, are stripped to the waist, and
every glistening back shows the angry stripes of the warders. But it is
not from these that the blood comes which reddens the seats and tints
the salt water washing beneath their manacled feet. Great gaping
wounds, the marks of sword slash and spear stab, show crimson upon their
naked chests and shoulders, while many lie huddled and senseless athwart
the benches, careless for ever of the whips which still hiss above them.
Now we can understand those empty portholes and those trailing oars.

Nor were the crew in better case than their slaves. The decks were
littered with wounded and dying men. It was but a remnant who still
remained upon their feet. The most lay exhausted upon the fore-deck,
while a few of the more zealous were mending their shattered armour,
restringing their bows, or cleaning the deck from the marks of combat.
Upon a raised platform at the base of the mast stood the sailing-master
who conned the ship, his eyes fixed upon the distant point of Megara
which screened the eastern side of the Bay of Carthage. On the
after-deck were gathered a number of officers, silent and brooding,
glancing from time to time at two of their own class who stood apart
deep in conversation. The one, tall, dark, and wiry, with pure, Semitic
features, and the limbs of a giant, was Magro, the famous Carthaginian
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