and Raymond Lulli. But he was as prudent as all other hermetic
philosophers. Whoever would read his book to find out his secret,
would employ all his labour in vain; the Pope took good care not to
divulge it." Unluckily for their own credit, all these gold-makers are
in the same predicament; their great secret loses its worth most
wonderfully in the telling, and therefore they keep it snugly to
themselves. Perhaps they thought that, if everybody could transmute
metals, gold would be so plentiful that it would be no longer
valuable, and that some new art would be requisite to transmute it
back again into steel and iron. If so, society is much indebted to
them for their forbearance.

Jean De Meung

All classes of men dabbled in the art at this time; the last
mentioned was a Pope, the one of whom we now speak was a poet. Jean de
Meung, the celebrated author of the "Roman de la Rose," was born in
the year 1279 or 1280, and was a great personage at the courts of
Louis X, Philip the Long, Charles IV, and Philip de Valois. His famous
poem of the "Roman de la Rose," which treats of every subject in vogue
at that day, necessarily makes great mention of alchymy. Jean was a
firm believer in the art, and wrote, besides his, "Roman," two shorter
poems, the one entitled, "The Remonstrance of Nature to the wandering
Alchymist," and "The Reply of the Alchymist to Nature." Poetry and
alchymy were his delight, and priests and women were his abomination.
A pleasant story is related of him and the ladies of the court of
Charles IV. He had written the following libellous couplet upon the
fair sex :--

"Toutes etes, serez, ou futes