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Earthwork out of Tuscany - Being Impressions and Translations of Maurice Hewlett by Maurice Hewlett
page 12 of 142 (08%)
guests are not to know how many times the cook's finger went from cate to
mouth before the seasoning was proper to the table. The king is the
artist, you are the guest, I am the abstractor of quintessences, the cook.
Remember, the cook had not the ordering of the feast: that was the king's
business--mine is to mingle the flavours to the liking of the guest that
the dish be worthy the conception and the king's honour.

Nor will I promise you that I shall not break into a more tripping stave
than our prose can afford, here and there. The pilgrim, if he is young and
his shoes or his belly pinch him not, sings as he goes, the very stones at
his heels (so music-steeped is this land) setting him the key. Jog the
foot-path way through Tuscany in my company, it's Lombard Street to my hat
I charm you out of your lassitude by my open humour. Things I say will
have been said before, and better; my tunes may be stale and my phrasing
rough: I may be irrelevant, irreverent, what you please. Eh, well! I am in
Italy,--the land of shrugs and laughing. Shrug me (or my book) away; but,
pray Heaven, laugh! And, as the young are always very wise when they find
their voice and have their confidence well put out to usury, laugh (but in
your cloak) when I am sententious or apt to tears. I have found _lacrimae
rerum_ in Italy as elsewhere; and sometimes Life has seemed to me to
sail as near to tragedy as Art can do. I suppose I must be a very bad
Christian, for I remain sturdily an optimist, still convinced that it is
good for us to be here, while the sun is up. Men and pictures, poems,
cities, churches, comely deeds, grow like cabbages: they are of the soil,
spring from it to the sun, glow open-hearted while he is there; and when
he goes, they go. So grew Florence, and Shakespere, and Greek myth--the
three most lovely flowers of Nature's seeding I know of. And with the
flowers grow the weeds. My first weed shall sprout by Arno, in a cranny of
the Ponte Vecchio, or cling like a Dryad of the wood to some gnarly old
olive on the hill-side of Arcetri. If it bear no little gold-seeded
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