another opera ready to take its place. _Teseo_ was finished on December
19, and brought out on January 10, 1713; it was a romantic-heroic opera,
closely modelled on _Rinaldo_, with an abundance of scenic effects. After
the second performance MacSwiney disappeared, leaving the singers unpaid as
well as the scene-painters and costume-makers. The company carried on the
season undeterred, and the management was taken over by Heidegger. Handel's
opera was performed twelve times--on the last night for the composer's
benefit; between the acts he gave a performance himself on the harpsichord.

For the moment, however, the operatic situation was not encouraging, and
Handel turned his thoughts in other directions. He had stayed first at
the London house of a Mr. Andrews of Barn Elms in Surrey, but he soon
transferred himself to the house of Lord Burlington in Piccadilly. Lord
Burlington was only seventeen years of age, but he and his mother made
Burlington House an artistic and literary centre comparable with the
palaces of Cardinal Ottoboni and Prince Ruspoli at Rome. As the libretto of
_Teseo_ is dedicated to him, he must have taken Handel under his patronage
soon after his arrival in England, but the precise date at which Handel
went to live with him is uncertain. According to Hawkins, he stayed at
Burlington House for three years, meeting Pope, Gay, and Dr. Arbuthnot, as
well as many other "men of the first eminence for genius." But Gay does not
seem to have met Lord Burlington until 1715, and Pope mentions him first
in 1718. It is thought that Handel's little opera, _Silla_, may have been
written for a private performance at Burlington House in 1714, and the
dedication of _Amadigi_, Handel's next opera (1715), indicates that the
music was composed within his patron's own walls.

One of Handel's favourite haunts in London was St. Paul's Cathedral, where
Brind the organist often persuaded him to play the organ after evening
service, to the great delight of the congregation. He appears to have