Handel by Edward J. Dent
page 61 of 106 (57%)
page 61 of 106 (57%)
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their favour, they engaged as composer the Neapolitan Nicolo Porpora,
famous then as a great trainer of singers, and still more famous in later years as the teacher of Haydn. If Handel had the King and Queen on his side, the nobility could count on the support of Frederick Prince of Wales, who was immensely popular throughout the country and was on the worst possible terms with his royal parents. The Opera of the Nobility, as the new syndicate was called, was making its plans in good time, directly after the end of Handel's season. In July 1733, Handel was invited to Oxford for a series of performances of his works, and it was proposed to confer on him the honorary degree of Doctor of Music. The Vice-Chancellor, Dr. Holmes, was a loyal Hanoverian, and hoped by honouring Handel to do something to counteract the Jacobite reputation of the University. _Esther_ and _Deborah_ were performed, as well as the Utrecht _Te Deum_ and _Jubilate_, and the Coronation Anthems; Handel further provided a new oratorio, _Athaliah_. The degree he refused to accept, for what reason has never been explained. Various suggestions have been offered. The Abbe Prevost, who was in England at the time, says that he refused the degree out of modesty; later biographers have differed in their views as to whether modesty was one of Handel's characteristics. Others have supposed that he refused to pay the fee of L100 that was demanded, but it is inconceivable that a fee should have been demanded for an honorary degree, although it would naturally have been paid by candidates who took the degree in the normal way. The concerts were attended by large audiences, many music lovers coming over from Eton and Cambridge, although there was considerable resentment at the price of admission--five shillings, a small amount compared with Handel's London charges. This "Handel Festival" at Oxford is significant, for it shows that in the space of no more than a year oratorio had begun to make a wide appeal, even outside London, although it was a form of composition that was |
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