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Handel by Edward J. Dent
page 61 of 106 (57%)
their favour, they engaged as composer the Neapolitan Nicolo Porpora,
famous then as a great trainer of singers, and still more famous in later
years as the teacher of Haydn. If Handel had the King and Queen on his
side, the nobility could count on the support of Frederick Prince of Wales,
who was immensely popular throughout the country and was on the worst
possible terms with his royal parents. The Opera of the Nobility, as the
new syndicate was called, was making its plans in good time, directly after
the end of Handel's season.

In July 1733, Handel was invited to Oxford for a series of performances
of his works, and it was proposed to confer on him the honorary degree of
Doctor of Music. The Vice-Chancellor, Dr. Holmes, was a loyal Hanoverian,
and hoped by honouring Handel to do something to counteract the Jacobite
reputation of the University. _Esther_ and _Deborah_ were performed, as
well as the Utrecht _Te Deum_ and _Jubilate_, and the Coronation Anthems;
Handel further provided a new oratorio, _Athaliah_. The degree he refused
to accept, for what reason has never been explained. Various suggestions
have been offered. The Abbe Prevost, who was in England at the time, says
that he refused the degree out of modesty; later biographers have differed
in their views as to whether modesty was one of Handel's characteristics.
Others have supposed that he refused to pay the fee of L100 that was
demanded, but it is inconceivable that a fee should have been demanded
for an honorary degree, although it would naturally have been paid by
candidates who took the degree in the normal way. The concerts were
attended by large audiences, many music lovers coming over from Eton and
Cambridge, although there was considerable resentment at the price of
admission--five shillings, a small amount compared with Handel's London
charges. This "Handel Festival" at Oxford is significant, for it shows
that in the space of no more than a year oratorio had begun to make a wide
appeal, even outside London, although it was a form of composition that was
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