Handel by Edward J. Dent
page 64 of 106 (60%)
page 64 of 106 (60%)
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In July 1734, Handel's lease of the King's Theatre came to an end, and he
found the theatre let at once by some means to his rivals, the Opera of the Nobility. He therefore entered into an arrangement with Rich for the use of his new theatre in Covent Garden, but his autumn season actually opened at Lincoln's Inn Fields on October 5. The probable reason for this was that the Princess Anne was spending the summer in England and wished to hear some of Handel's operas. She was a remarkably gifted musician, and Handel considered her to be the best of his pupils; she not only sang and played the harpsichord well, but was thoroughly grounded in the theoretical side of music and quite capable of composing a fugue, according to a Dutch musician who became acquainted with her after her marriage. She came to England on July 2 for a long stay, and at once persuaded Handel to give three additional performances of _Il Pastor Fido_, which he had revived that season. _Pastor Fido_ and _Ariadne_ were given again for her in October; probably Covent Garden was not quite ready for performances. Princess Anne left England on October 21, and her last words at parting were to beg Lord Hervey to do all he could to help Handel. The chief attraction to the public at Covent Garden was probably not Handel but Mlle Salle, a French dancer who had been engaged by Rich. The first performance at the new theatre was a ballet, _Terpsichore_, in order that she might inaugurate the season. _Terpsichore_, which includes songs and a chorus, served as prologue to _Il Pastor Fido_. The next opera was _Oreste, a pasticcio_ made up by Handel himself from his own works; on January 8, 1735, he produced his Ariodante, an opera over which he had spent the unusually long time of ten weeks. The score was begun on August 12 and finished on October 24. The story is taken from Ariosto, and, as with Orlando, Handel found that it afforded opportunities for his peculiar vein of romanticism. On April 16 he followed it up with Alcina, again on a subject from Ariosto, and one of even more romantic character. Ariosto's |
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