Handel by Edward J. Dent
page 86 of 106 (81%)
page 86 of 106 (81%)
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had given up the subscription system, and opened the theatre to all comers.
The relief produced by the victory of Culloden had no doubt encouraged the general public to spend more money on entertainments; the Duke of Cumberland was a popular hero, and, through the _Occasional Oratorio_, Handel's name had come to be associated with him. _Judas_ was naturally patronised by the court and by the Duke himself, who had made a handsome present to Morell in recognition of his literary laurels. And a new class of enthusiasts appeared in the shape of the Jews, we are told, who were attracted by the glorification of a national hero of their own. We do not hear much of the Jewish community in London in the days of Handel, and it cannot have been a very large one, but they appear to have been worth Handel's consideration. It may be mentioned that Handel's early librettist in London, Nicolo Haym, must have been a Jew, to judge from his name. Handel, at any rate, was sufficiently impressed to ask Morell to find another Jewish subject for his next oratorio; this was _Alexander Balus_, produced the following year. The Italian opera party had this year engaged Gluck as a composer, and he too celebrated the Duke of Cumberland's achievements with an opera, _La Caduta dei Giganti_ (January 5), which was a complete failure. It must have been put together in a hurry, for all of the "favourite songs" in it, published by Walsh (and no other record of the music remains), were taken from earlier operas of Gluck's; in any case they are poor stuff, and from Burney's description of the singers it is no wonder that the opera had no success. Gluck called on Handel, who told someone that he knew no more of counterpoint than his cook. Gluck was just under thirty, Handel just over sixty, and one can understand Handel's attitude; in any case he gave him some plain and practical advice as to how to please an English audience, which was not much use to Gluck, as he never visited this country again. Handel was quite right in his criticism, for Gluck was always very clumsy |
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