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Handel by Edward J. Dent
page 86 of 106 (81%)
had given up the subscription system, and opened the theatre to all comers.
The relief produced by the victory of Culloden had no doubt encouraged
the general public to spend more money on entertainments; the Duke of
Cumberland was a popular hero, and, through the _Occasional Oratorio_,
Handel's name had come to be associated with him. _Judas_ was naturally
patronised by the court and by the Duke himself, who had made a handsome
present to Morell in recognition of his literary laurels. And a new class
of enthusiasts appeared in the shape of the Jews, we are told, who were
attracted by the glorification of a national hero of their own. We do not
hear much of the Jewish community in London in the days of Handel, and
it cannot have been a very large one, but they appear to have been worth
Handel's consideration. It may be mentioned that Handel's early librettist
in London, Nicolo Haym, must have been a Jew, to judge from his name.
Handel, at any rate, was sufficiently impressed to ask Morell to find
another Jewish subject for his next oratorio; this was _Alexander Balus_,
produced the following year.

The Italian opera party had this year engaged Gluck as a composer, and he
too celebrated the Duke of Cumberland's achievements with an opera, _La
Caduta dei Giganti_ (January 5), which was a complete failure. It must
have been put together in a hurry, for all of the "favourite songs" in it,
published by Walsh (and no other record of the music remains), were taken
from earlier operas of Gluck's; in any case they are poor stuff, and from
Burney's description of the singers it is no wonder that the opera had no
success. Gluck called on Handel, who told someone that he knew no more of
counterpoint than his cook. Gluck was just under thirty, Handel just over
sixty, and one can understand Handel's attitude; in any case he gave him
some plain and practical advice as to how to please an English audience,
which was not much use to Gluck, as he never visited this country again.
Handel was quite right in his criticism, for Gluck was always very clumsy
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