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Handel by Edward J. Dent
page 92 of 106 (86%)
extemporising the solos in his concertos, which were always an integral
feature of his concerts. The profits of these were enormous, and when he
died in 1759 he left investments to the extent of 20,000. Composition
naturally became a more difficult matter after blindness set in, but new
songs were added to many of the oratorios, and in 1758 he made a complete
revision of his old Italian cantata, Il Trionfo del Tempo. Morell
translated it into English, and seventeen new numbers were added. Some of
these were new, but many were adapted from other works of Handel's, chiefly
from Parnasso in Festa, and there are also borrowings from Lotti and Graun.
Two choruses by Graun had already been utilised in the revision of the
Italian version which Handel brought out in 1737.

All this time John Christopher Schmidt, now known as Smith, had been his
indispensable factotum. Smith made fair copies of his music, and managed
his affairs for him, though Handel, almost up to the end, seems to have
discussed his investments in person with his financial adviser, Mr. Gael
Morris, in the City. Smith's son, who had come with his father to London as
a child, had been educated under Handel's direction, and in 1754 became the
first organist of the Foundling Hospital. In Handel's later years it was
the son who assisted him at the performances of the oratorios and acted as
his musical amanuensis. There is a curious story of a quarrel which took
place at Tunbridge Wells, about four years before Handel's death, between
the two old men. The cause of it is not known, but it is stated to have
been quite trivial; old Smith left Handel abruptly, and Handel vowed he
would never see him again. The son attempted to heal the breach and even
went so far as to say that he would refuse to assist Handel at his concerts
any more unless Handel restored to his father the legacy which after the
quarrel he had intended to leave to the son; young Smith foresaw that he
himself would be accused of having deliberately alienated the affections of
Handel from his father in order to secure the money for himself.
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