Aesthetic as Science of Expression and General Linguistic by Benedetto Croce
page 50 of 339 (14%)
page 50 of 339 (14%)
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That thought cannot exist without speech, is a truth generally admitted. The negations of this thesis are all founded on equivoques and errors. The first of the equivoques is implied by those who observe that one can likewise think with geometrical figures, algebraical numbers, ideographic signs, without a single word, even pronounced silently and almost insensibly within one. They also affirm that there are languages in which the word, the phonetic sign, expresses nothing, unless the written sign also be looked at. But when we said "speech," we intended to employ a synecdoche, and that "expression" generically, should be understood, for expression is not only so-called verbal expression, as we have already noted. It may be admitted that certain concepts may be thought without phonetic manifestations. But the very examples adduced to show this also prove that those concepts never exist without expressions. Others maintain that animals, or certain animals, think or reason without speaking. Now as to how, whether, and what animals think, whether they be rudimentary, half-savage men resisting civilization, rather than physiological machines, as the old spiritualists would have it, are questions that do not concern us here. When the philosopher talks of animal, brutal, impulsive, instinctive nature and the like, he does not base himself on conjectures as to these facts concerning dogs or cats, lions or ants; but upon observations of what is called animal and brutal in man: of the boundary or animal basis of what we feel in ourselves. If individual animals, dogs or cats, lions or ants, possess something of the activity of man, so much the better, or so much the worse for them. This means that as regards them also we must talk, not of their nature as a whole, but of its animal basis, as being perhaps |
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