The Atlantic Monthly, Volume 05, No. 29, March, 1860 by Various
page 25 of 289 (08%)
page 25 of 289 (08%)
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of grief as to engage in rhetorical panegyrics over the fresh graves
of departed friends? Compare the high dead wall with its range of flower-pots, the porches undecked by woodbines or jessamine, the formal paths, the proximate kitchen, stables, and ungarnished _salon_ of a French villa, with the hedges, meadows, woodlands, and trellised eglantine of an English country-house; and a glance assures us that to the former nation the country is a _dernier ressort_, and not an endeared seclusion. Yet they romance, in their way, on rural subjects: "_A la campagne_," says one of their poets, "_ou chaque feuille qui tombe est une elegie toute faite_." Through an avenue of scraggy poplars we approach a dilapidated _chateau_, whose owner is playing dominoes at the cafe of the nearest provincial town, or exhausting the sparse revenues of the estate at the theatres, roulette-tables, or balls of Paris. People leave these for a rural vicinage only to economize, to hide chagrin, or to die. So recognized is this indifference to Nature and inaptitude for rural life in France, that, when we desire to express the opposite of natural tastes, we habitually use the word "Frenchified." The idea which a Parisian has of a tree is that of a convenient appendage to a lamp. The traveller never sees artificial light reflected from green leaves, without thinking of his evening promenades in the French capital, or a dance in the groves of Montmorency. The old verbal tyranny of the French Academy, the painted wreaths sold at cemetery-gates, the colored plates of fashions, powdered hair, and rouged cheeks, typify and illustrate this irreverent ambition to pervert Nature and create artificial effects; they are but so many forms of the theatrical instinct, and proofs of the ascendency of meretricious taste. It is this want of loyalty to Nature, and insensibility to her unadulterated charms, which constitute the real barrier between the Gallic mind and that of England and Italy, and which explain the fervent protest of such men as Alfieri and Coleridge. |
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