His Hour by Elinor Glyn
page 80 of 228 (35%)
page 80 of 228 (35%)
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But the fascination of it grew and grew. Every one of their ugly faces
remained printed on Tamara's brain. Long afterward she would see them in dreams. How little we yet know of the force of sounds! How little we know of any of the great currents which affect the world and human life! And music above any other art stirs the sense. Probably the Greek myth of Orpheus and his lute was not a myth after all; perhaps Orpheus had mastered the occult knowledge of this great power. Surely it would be worth some learned scientist's while to investigate from a psychological point of view how it is, and why it is, that certain chords cause certain emotions, and give base or elevating visions to human souls. The music of these gipsies was of the devil, it seemed to Tamara, and she was not surprised at the wild look in Prince Milaslávski's eyes, for she herself--she, well brought up, conventionally crushed English Tamara,--felt a strange quickening of the pulse. After an hour or so of this music, two of the younger Bohemian women began to dance, not in the least with the movements that had shocked Mrs. Hardcastle in the Alexandrian troupe on the ship, but a foolish valsing, while the shoulders rose and fell and quivered like the flapping wings of some bird. The shoulders seemed the talented part, not the body or hips. And then about three o'clock the entire troupe filed out of the room for refreshment and rest. The atmosphere was thick with smoke, and heated to an incredible extent. Some one started to play the piano, and |
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