BY MARY E. WILKINS FREEMAN

The group was seated on the flat door-stone and the gravel walk in front
of it, which crossed the green square of the Lynn front yard. On the
wide flat stone, in two chairs, sat Mrs. Rufus Lynn and her opposite
neighbor, Mrs. Wilford Biggs. On a chair on the gravel walk sat Mr. John
Mangam, Mrs. Biggs's brother--an elderly unmarried man who lived in the
village. On the step itself sat Mrs. Samson, an old lady of eighty-five,
as straight as if she were sixteen, and by her side, her long body bent
gracefully, her elbows resting on her knees, her chin resting in the cup
of her two hands, Sarah Lynn, her great-granddaughter. Sarah Lynn was
often spoken of as "pretty if she wasn't so slouchy," in Adams, the
village in which she had been born and bred. Adams people were not,
generally speaking, of the kind who understand the grace which may exist
in utter freedom of attitude and motion.

It was a very hot evening of one of the hottest days of July, and Mrs.
Rufus Lynn wore in deference to the climate a gown of white cambric with
a little black sprig thereon, but nothing could excel the smoothly boned
fit of it. And she did not lean back in her chair, but was as erect as
the very old lady on the door-step, who was her grandmother, and who was
also stiffly gowned, in a black cashmere as straightly made as if it had
been armor. The influence of heredity showed strongly in the two, but in
Sarah showed the intervening generation.

Sarah was a great beauty with no honor in her own country. Her long
softly curved figure was surmounted by a head wound with braids of the
purest flax color, and a face like a cameo. She was very fair, with the
fairness of alabaster. Her mother's face had a hard blondness, pink and
white, but fixed, and her great-grandmother had the same.