The Architecture and Landscape Gardening of the Exposition - A Pictorial Survey of the Most Beautiful Achitectural - Compositions of the Panama-Pacific International Exposition by Louis Christian Mullgardt
page 65 of 91 (71%)
page 65 of 91 (71%)
![]() | ![]() |
|
|
The planting of the court is quiet and stately, and notably carries out
its spirit, with the gray-green of foliage plants and eucalyptus trees and the gnarled stems of gray old olive trees. In its vistas from any angle or point of view, the Court is peculiarly satisfying and beautiful. Court of the Four Seasons The North Colonnade by Night To stand in the midst of this curving octagonal court and hear, above the whisper of the trees, the murmur of the four hidden fountains that gush unseen from the base of allegorical groups of statuary, glimpsed through colonnades, is to stand in Hadrian's villa of old, where we hear "Fitly the fountains of silver leap, Whose sound is as soft as the listless flow Of streams that forever linger and go Down delicate, dream-far valleys of sleep." As in a dream, one looks down the last vista to the open rotunda and crescent hemicycle of the Palace of Fine Arts beyond a lagoon that mirrors them on its surface. Rising from the rich, green massing of shrubbery and mossy banks, the rotunda lifts its proud head, encircled with garlands of symbolical figures, as above a grove of Academe. Behind it the soft red walls of the place glow like the fading embers of sunset. These courts, strung like a rope of pearls between the two poles of man's achievement--mechanics and art--are the heart of the Exposition, and in them are treasures of color and form untold. |
|


