The Architecture and Landscape Gardening of the Exposition - A Pictorial Survey of the Most Beautiful Achitectural - Compositions of the Panama-Pacific International Exposition by Louis Christian Mullgardt
page 73 of 91 (80%)
page 73 of 91 (80%)
![]() | ![]() |
|
|
gave it a commanding position, at the extreme west of the group of
exhibit palaces. The architect, Bernard. R. Maybeck of San Francisco, found as an asset on beginning his work, a small natural lake and a fine group of Monterey cypress. With this foundation he has created a temple of supreme loveliness, thoroughly original in conception, yet classic in its elemental simplicity and in its appeal to the highest and noblest traditions of beauty and art, revealing the imagination of a poet, the fine sense of color and harmony of an artist, and the sure hand of a master-architect in his confident control of architectural forms, of decorative detail and of the contributing landscape elements. The conception of the rotunda is said to have been suggested to the architect by Becklin's painting "The Island of the Dead" and that of the peristyle by Gerome's "Chariot Race." Across the Laguna from the Palace of Fine Arts runs Administration Avenue and the magnificent Roman wall which forms the western facade of the main group of palaces. Palace of Fine Arts The Rotunda and Peristyle The Palace of Fine Arts is, in reality, not one complete building, but four separate and distinct elements. The rotunda, an octagonal structure, forms the center of the composition. On either side is a detached peristyle which follows the curve of the gallery itself, as it describes an arc about the western shore of the Laguna, yet so successfully are they all bound together by the encircling green wall and by the other landscape elements, that an impression of satisfying |
|


