Stones of Venice [introductions] by John Ruskin
page 36 of 234 (15%)
page 36 of 234 (15%)
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monstrous by its semi-sculpture. One side of the forehead is wrinkled
elaborately, the other left smooth; one side only of the doge's cap is chased; one cheek only is finished, and the other blocked out and distorted besides; finally, the ermine robe, which is elaborately imitated to its utmost lock of hair and of ground hair on the one side, is blocked out only on the other: it having been supposed throughout the work that the effigy was only to be seen from below, and from one side. SECTION XLIII. It was indeed to be seen by nearly every one; and I do not blame--I should, on the contrary, have praised--the sculptor for regulating his treatment of it by its position; if that treatment had not involved, first, dishonesty, in giving only half a face, a monstrous mask, when we demanded true portraiture of the dead; and, secondly, such utter coldness of feeling, as could only consist with an extreme of intellectual and moral degradation: Who, with a heart in his breast, could have stayed his hand as he drew the dim lines of the old man's countenance--unmajestic once, indeed, but at least sanctified by the solemnities of death--could have stayed his hand, as he reached the bend of the grey forehead, and measured out the last veins of it at so much the zecchin. I do not think the reader, if he has feeling, will expect that much talent should be shown in the rest of his work, by the sculptor of this base and senseless lie. The whole monument is one wearisome aggregation of that species of ornamental flourish, which, when it is done with a pen, is called penmanship, and when done with a chisel, should be called chiselmanship; the subject of it being chiefly fat-limbed boys sprawling on dolphins, dolphins incapable of swimming, and dragged along the sea by expanded pocket-handkerchiefs. |
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