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Stones of Venice [introductions] by John Ruskin
page 58 of 234 (24%)
other, might not awaken too bitter feelings by its contrast with the
churches which they had seen destroyed.

There is visible everywhere a simple and tender effort to recover some
of the form of the temples which they had loved, and to do honor to God
by that which they were erecting, while distress and humiliation
prevented the desire, and prudence precluded the admission, either of
luxury of ornament or magnificence of plan. The exterior is absolutely
devoid of decoration, with the exception only of the western entrance
and the lateral door, of which the former has carved sideposts and
architrave, and the latter, crosses of rich sculpture; while the massy
stone shutters of the windows, turning on huge rings of stone, which
answer the double purpose of stanchions and brackets, cause the whole
building rather to resemble a refuge from Alpine storm than the
cathedral of a populous city; and, internally, the two solemn mosaics of
the eastern and western extremities,--one representing the Last
Judgment, the other the Madonna, her tears falling as her hands are
raised to bless,--and the noble range of pillars which enclose the space
between, terminated by the high throne for the pastor and the
semicircular raised seats for the superior clergy, are expressive at
once of the deep sorrow and the sacred courage of men who had no home
left them upon earth, but who looked for one to come, of men "persecuted
but not forsaken, cast down but not destroyed."

SECTION IV. For observe this choice of subjects. It is indeed possible
that the walls of the nave and aisles, which are now whitewashed, may
have been covered with fresco or mosaic, and thus have supplied a series
of subjects, on the choice of which we cannot speculate. I do not,
however, find record of the destruction of any such works; and I am
rather inclined to believe that at any rate the central division of the
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