Stones of Venice [introductions] by John Ruskin
page 61 of 234 (26%)
page 61 of 234 (26%)
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original design. The pulpit is not the only place where this rough
procedure has been permitted: at the lateral door of the church are two crosses, cut out of slabs of marble, formerly covered with rich sculpture over their whole surfaces, of which portions are left on the surface of the crosses; the lines of the original design being, of course, just as arbitrarily cut by the incisions between the arms, as the patterns upon a piece of silk which has been shaped anew. The fact is, that in all early Romanesque work, large surfaces are covered with sculpture for the sake of enrichment only; sculpture which indeed had always meaning, because it was easier for the sculptor to work with some chain of thought to guide his chisel, than without any; but it was not always intended, or at least not always hoped, that this chain of thought might be traced by the spectator. All that was proposed appears to have been the enrichment of surface, so as to make it delightful to the eye; and this being once understood, a decorated piece of marble became to the architect just what a piece of lace or embroidery is to a dressmaker, who takes of it such portions as she may require, with little regard to the places where the patterns are divided. And though it may appear, at first sight, that the procedure is indicative of bluntness and rudeness of feeling,--we may perceive, upon reflection, that it may also indicate the redundance of power which sets little price upon its own exertion. When a barbarous nation builds its fortress-walls out of fragments of the refined architecture it has overthrown, we can read nothing but its savageness in the vestiges of art which may thus chance to have been preserved; but when the new work is equal, if not superior, in execution, to the pieces of the older art which are associated with it, we may justly conclude that the rough treatment to which the latter have been subjected is rather a sign of the hope of doing better things, than of want of feeling for those already accomplished. And, in general, this careless fitting of ornament |
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