Stones of Venice [introductions] by John Ruskin
page 83 of 234 (35%)
page 83 of 234 (35%)
![]() | ![]() |
|
|
altogether, and the rugged brickwork is seen through the rents, but all
beautiful; the ravaging fissures fretting their way among the islands and channelled zones of the alabaster, and the time-stains on its translucent masses darkened into fields of rich golden brown, like the color of seaweed when the sun strikes on it through deep sea. The light fades away into the recess of the chamber towards the altar, and the eye can hardly trace the lines of the bas-relief behind it of the baptism of Christ: but on the vaulting of the roof the figures are distinct, and there are seen upon it two great circles, one surrounded by the "Principalities and powers in heavenly places," of which Milton has expressed the ancient division in the single massy line, "Thrones, Dominations, Princedoms, Virtues, Powers," and around the other, the Apostles; Christ the centre of both; and upon the walls, again and again repeated, the gaunt figure of the Baptist, in every circumstance of his life and death; and the streams of the Jordan running down between their cloven rocks; the axe laid to the root of a fruitless tree that springs upon their shore. "Every tree that bringeth not forth good fruit shall be hewn down, and cast into the fire." Yes, verily: to be baptized with fire, or to be cast therein; it is the choice set before all men. The march-notes still murmur through the grated window, and mingle with the sounding in our ears of the sentence of judgment, which the old Greek has written on that Baptistery wall. Venice has made her choice. SECTION XVIII. He who lies under that stony canopy would have taught her another choice, in his day, if she would have listened to him; but he and his counsels have long been forgotten by her, the dust lies upon his lips. |
|


