stretch of it appealed strongly to his artistic senses. He found himself
standing high above the landward extremity of a narrow bay or creek, much
resembling a Norwegian fiord in its general outlines; it ran in from the
sea between high shelving cliffs, the slopes of which were thickly wooded
with the hardier varieties of tree and shrub, through which at intervals
great, gaunt masses of grey rock cropped out. On the edge of the water at
either side of the bay were lines of ancient houses and cottages of grey
walls and red roofs, built and grouped with the irregularity of
individual liking; on the north side rose the square tower and low nave
of a venerable church; amidst a mass of wood on the opposite side stood a
great Norman keep, half ruinous, which looked down on a picturesque house
at its foot. Quays, primitive and quaint, ran along between the old
cottages and the water's edge; in the bay itself or nestling against the
worn timbers of the quays, were small craft whose red sails hung idly
against their tall masts and spars. And at the end of the quays and the
wooded promontories which terminated the land view, lay the North Sea,
cold, grey, and mysterious in the waning October light, and out of its
bosom rose, close to the shore, great masses of high grey rocks, strong
and fantastic of shape, and further away, almost indistinct in the
distance, an island, on the highest point of which the ruins of some old
religious house were silhouetted against the horizon.

"Just the place!" repeated Stafford. "He'd have cheerfully travelled a
thousand miles to see this. And now--we know he came here--what we next
want to know is, what he did when he got here?"

Copplestone, who had been taking in every detail of the scene before him,
pointed to a house of many gables and queer chimneys which stood a little
way beneath them at the point where the waters of a narrow stream ran
into the bay.