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The Grand Old Man by Richard B. Cook
page 39 of 386 (10%)

'--Celerare viam rumore secundo.'

"I was surprised even to see some works with the names of Shakespeare
and Milton on them sharing the common destiny, but on examination I
found that those of the latter were some political rhapsodies, which
richly deserved their fate; and that the former consisted of some
editions of his works which had been burdened with notes and mangled
with emendations by his merciless commentators. In other places I
perceived authors worked up into frenzy by seeing their own compositions
descending like the rest. Often did the infuriated scribes extend their
hands, and make a plunge to endeavor to save their beloved offspring,
but in vain; I pitied the anguish of their disappointment, but with
feelings of the same commiseration as that which one feels for a
malefactor on beholding his death, being at the same time fully
conscious how well he has deserved it."

Little did this diffident and youthful editor imagine that he was
forecasting the future for himself by the aid of youth's most ardent
desires, and that he would live to become the Primate of all England and
the foremost statesman of his day.

There were two volumes of the _Miscellany_, dated June-July and
October-November, respectively, and Mr. Gladstone contributed thirteen
articles to the first volume. Among the contributions were an "Ode to
the Shade of Watt Tyler," a vigorous rendering of a chorus from the
Hucuba of Euripides, and a letter under the name of "Philophantasm,"
detailing an encounter he had with the poet Virgil, in which the great
poet appeared muttering something which did not sound like Latin to an
Eton boy, and complaining that he knew he was hated by the Eton boys
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