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The Principles of Success in Literature by George Henry Lewes
page 10 of 135 (07%)
others. He has missed his mark. MARGARITAS ANTE PORCOS! is the soothing
maxim of a disappointed self-love. But we, who look on, may sometimes
doubt whether they WERE pearls thus ineffectually thrown; and always
doubt the judiciousness of strewing pearls before swine. The prosperity
of a book lies in the minds of readers. Public knowledge and public
taste fluctuate; and there come times when works which were once
capable of instructing and delighting thousands lose their power, and
works, before neglected, emerge into renown. A small minority to whom
these works appealed has gradually become a large minority, and in the
evolution of opinion will perhaps become the majority. No man can
pretend to say that the work neglected today will not be a household
word tomorrow; or that the pride and glory of our age will not be
covered with cobwebs on the bookshelves of our children. Those works
alone can have enduring success which successfully appeal to what is
permanent in human nature--which, while suiting the taste of the day,
contain truths and beauty deeper than the opinions and tastes of the
day; but even temperary success implies a certain temporary fitness. In
Homer, Sophocles, Dante, Shakspeare, Cervantes, we are made aware of
much that no longer accords with the wisdom or the taste of our
day--temporary and immature expressions of fluctuating opinions--but we
are also aware of much that is both true and noble now, and will be so
for ever.

It is only posterity that can decide whether the success or failure
shall be enduring; for it is only posterity that can reveal whether the
relation now existing between the work and the public mind is or is not
liable to fluctuation. Yet no man really writes for posterity; no man
ought to do so.

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