the indication of an inability to perform what was attempted: the aim
was misdirected, or the arm was too weak: in either case the mark has
not been hit.

"The public taste is degraded." Perhaps so; and perhaps not. But in
granting a want of due preparation in the public, we only grant that
the author has missed his aim. A reader cannot be expected to be
interested in ideas which are not presented intelligibly to him, nor
delighted by art which does not touch him; and for the writer to imply
that he furnishes arguments, but does not pretend to furnish brains to
understand the arguments, is arrogance. What Goethe says about the most
legible handwriting being illegible in the twilight, is doubtless true;
and should be oftener borne in mind by frivolous objectors, who declare
they do not understand this or do not admire that, as if their want of
taste and understanding were rather creditable than otherwise, and were
decisive proofs of an author's insignificance. But this reproof, which
is telling against individuals, has no justice as against the public.
For--and this is generally lost sight of--the public is composed of the
class or classes directly addressed by any work, and not of the
heterogeneous mass of readers. Mathematicians do not write for the
circulating library. Science is not addressed to poets. Philosophy is
meant for students, not for idle readers. If the members of a class do
not understand--if those directly addressed fail to listen, or
listening, fail to recognise a power in the voice--surely the fault
lies with the speaker, who, having attempted to secure their attention
and enlighten their understandings, has failed in the attempt? The
mathematician who is without value to mathematicians, the thinker who
is obscure or meaningless to thinkers, the dramatist who fails to move
the pit, may be wise, may be eminent, but as an author he has failed.
He attempted to make his wisdom and his power operate on the minds of