Four Weeks in the Trenches - The War Story of a Violinist by Fritz Kreisler
page 15 of 44 (34%)
page 15 of 44 (34%)
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whizzing of shrapnel over our heads.
I, too, soon got accustomed to the deadly missiles,--in fact, I had already started to make observations of their peculiarities. My ear, accustomed to differentiate sounds of all kinds, had some time ago, while we still advanced, noted a remarkable discrepancy in the peculiar whine produced by the different shells in their rapid flight through the air as they passed over our heads, some sounding shrill, with a rising tendency, and the others rather dull, with a falling cadence. A short observation revealed the fact that the passing of a dull-sounding shell was invariably preceded by a flash from one of our own cannon in the rear on the hill, which conclusively proved it to be an Austrian shell. It must be understood that as we were advancing between the positions of the Austrian and Russian artillery, both kinds of shells were passing over our heads. As we advanced the difference between shrill and dull shell grew less and less perceptible, until I could hardly tell them apart. Upon nearing the hill the difference increased again more and more until on the hill itself it was very marked. After our trench was finished I crawled to the top of the hill until I could make out the flash of the Russian guns on the opposite heights and by timing flash and actual passing of the shell, found to my astonishment that now the Russian missiles had become dull, while on the other hand, the shrill shell was invariably heralded by a flash from one of our guns, now far in the rear. What had happened was this: Every shell describes in its course a parabolic line, with the first half of the curve ascending and the second one descending. Apparently in the first half of its curve, that is, its course while ascending, the shell produced a dull whine accompanied by a falling cadence, which changes to a rising shrill as soon as the acme has been reached and the curve points |
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